I got to work on the set of Inception! It was super cool, hung around Ken Watanabe and flew Leo to set. His mom was in the trailer with him
I got to work on the set of Inception! It was super cool, hung around Ken Watanabe and flew Leo to set. His mom was in the trailer with him
I got to work on the set of Inception! It was super cool, hung around Ken Watanabe and flew Leo to set. His mom was in the trailer with him
Sand, light, lightning, and metal
Historical questions and answers to common problems, it’ll take about a decade for Lemmy to catch up. I work in IT and it’s saved my ass quite a few times
This thread has a lot of potential, great for dining table debates
I’m turning 36 this year and it’s already happened in a way. In 2019 I was making $14 an hour working at a head shop, and now I’m making just shy of $100k and it finally feels like I can take care of myself (barely)
If you live in any major metro area, I really feel like you can’t break the true comfort level unless your household income is $200k. $100k just doesn’t cut it anymore if you want to own a decent house, pay crazy prices for healthcare, have saving/retirement.
Just as long as you don’t touch my drums
Yeah we could hang
In no particular order
Star Wars Empire Strikes Back Hunt for Red October The Abyss Master and Commander
Start with newer film scores that have 100% live orchestras (Zimmer and most modern film scores would be the opposite of this) and work your way backward.
John Williams, Jerry Goldsmith, James Horner, Elliot Goldenthal, Danny Elfman - most these men utilize classical composition and most of their scores feature live players with small exception.
Think about why you listen to your favorite music and what meaning you get out of the music. Is it to project an image of yourself to other people so they understand you? Do you listen to stay current? What are you listening for? A beat? Dissonance? Do you have to turn the music up so loud that you can physically feel it in order to… emotionally feel it? Why? Is a whisper not as powerful as a scream? What does silence mean to you? What does sadness sound like to you? Joy? Bravery? Betrayal? Jealousy? -These were all questions my music appreciation teacher asked us.
Honestly it was classical. I had a music appreciation class in high school and the teacher was incredible, ended up being a step by step historical analysis of how music changed over the years and how it’s all connected from Ancient Greece all the way to Tupac. I truly believe that there isn’t another musical genre that has the ability to capture such a wide range of emotions with such pinpoint accuracy as classical music without having to rely on any lyrics to explain what’s going on. What would the musical equivalent of falling down the steps sound like? Losing a loved one? Getting lost in the Sahara? Riding a bike through Paris in 1925? Traveling to different planets? It made me realize how limited other genres are because they’re so stuck in their own mold and can barely wiggle out of the predefined standards of what that genre requires. It doesn’t make that music any less important, but it’s interesting to think about.
The word “millions of eyes” tends to start attracting corporate overlords. When we hit a million users I think things might start changing.
Trauma